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ABOUT LOVE AND ROCKETS 

Love and Rockets are an English rock band formed in 1985 by former Bauhaus members Daniel Ash (vocals, guitar and saxophone), David J (bass guitar and vocals) and Kevin Haskins (drums and synthesisers) after that group split in 1983. Ash and Haskins had recorded and performed in another band, Tones on Tail, between 1982 and 1984. Love and Rockets' fusion of underground rock music with elements of pop music provided an early catalyst for alternative rock. 

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ABOUT TYLER HENRY

Medium Tyler Henry, star of the NETFLIX series Life After Death with Tyler Henry and E! Entertainment’s mega hit television show Hollywood Medium with Tyler Henry, continues his sold out national Live Show tour across the country. During his life-changing Live Show “An Evening of Hope and Healing” Tyler explains how he communicates with the other side, gives Live Audience Readings and answers audience questions. Tyler’s incredibly accurate, personal Live Readings of audience members often bring the everyone to tears, giving them proof, hope and understanding that “Our loved ones never really leave us.”

Tyler Henry was born with a unique gift that enables him to help countless people acquire closure, comfort and proof that consciousness transcends physical death. As an evidential based medium, his ability to provide detail-oriented specifics has quickly captured the attention of millions, even turning the most ardent skeptics into believers.

Tyler Henry continues to be the most sought-after medium as seen through his readings of celebrities and non-celebrities alike. Tyler is also a best-selling author with his first book, Between Two Worlds – Lessons From The Other Side. His second book, Here and Hereafter, will be released on March 29th, 2022.

For more information, visit thetylerhenrymedium.com

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ABOUT JACK AND FRIENDS

MJ&M will feature Lee Ann Womack, Hayes Carll and more at the event’s Friday night Jack & Friends singer-songwriter evening. Jack & Friends will also include performances by legendary songwriters and musicians: Jack Ingram, Jessi Alexander, Rhett Akins, Jon Randall, Butch Walker, Blu Sanders, Kameron Marlowe, and William Beckmann.

Mack, Jack & McConaughey (MJ&M) is the joint fundraising effort of Academy Award®-winning actor Matthew McConaughey, ACM Award-winning recording artist Jack Ingram, and coaching legend Mack Brown.

Funds raised at MJ&M 2023 will support CureDuchenne, Dell Children's Medical Center, HeartGift, just keep livin Foundation and The Rise School of Austin.

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3 DAY PASS FOR JASON ISBELL 

ABOUT JASON ISBELL 

A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age -- and carry a certain amount of scars.

“There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.” Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Life and death songs played for and by grown ass people. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers.

They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with them behind him he transforms, and there is a version of himself that can only exist in their presence. When he plays a solo show, he is in charge of the entire complicated juggle. On stage with the 400 Unit, he can be a guitar hero when he wants, and a conductor when he wants, and a smiling fan of the majesty of his bandmates when he wants to hang back and listen to the sound.

The roots of this record go back into the isolation of the pandemic and to Isbell’s recent time on the set as an actor on Martin Scorsese’s Killers of the Flower Moon. There were guitars in his trailer and in his rented house and a lot of time to sit and think. The melancholy yet soaring track “King of Oklahoma” was written there. Isbell also watched the great director work, saw the relationship between a clear vision and its execution, and perhaps most important, saw how even someone as decorated as Scorsese sought out and used his co-workers’ opinions.

“It definitely helped when I got into the studio,” Isbell says. “I had this reinvigorated sense of collaboration. You can have an idea and you can execute it and not compromise -- and still listen to the other people in the room

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3 DAY PASS FOR JASON ISBELL 

ABOUT JASON ISBELL 

A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age -- and carry a certain amount of scars.

“There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.” Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Life and death songs played for and by grown ass people. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers.

They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with them behind him he transforms, and there is a version of himself that can only exist in their presence. When he plays a solo show, he is in charge of the entire complicated juggle. On stage with the 400 Unit, he can be a guitar hero when he wants, and a conductor when he wants, and a smiling fan of the majesty of his bandmates when he wants to hang back and listen to the sound.

The roots of this record go back into the isolation of the pandemic and to Isbell’s recent time on the set as an actor on Martin Scorsese’s Killers of the Flower Moon. There were guitars in his trailer and in his rented house and a lot of time to sit and think. The melancholy yet soaring track “King of Oklahoma” was written there. Isbell also watched the great director work, saw the relationship between a clear vision and its execution, and perhaps most important, saw how even someone as decorated as Scorsese sought out and used his co-workers’ opinions.

“It definitely helped when I got into the studio,” Isbell says. “I had this reinvigorated sense of collaboration. You can have an idea and you can execute it and not compromise -- and still listen to the other people in the room

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3 DAY PASS FOR JASON ISBELL 

ABOUT JASON ISBELL 

A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age -- and carry a certain amount of scars.

“There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.” Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Life and death songs played for and by grown ass people. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers.

They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with them behind him he transforms, and there is a version of himself that can only exist in their presence. When he plays a solo show, he is in charge of the entire complicated juggle. On stage with the 400 Unit, he can be a guitar hero when he wants, and a conductor when he wants, and a smiling fan of the majesty of his bandmates when he wants to hang back and listen to the sound.

The roots of this record go back into the isolation of the pandemic and to Isbell’s recent time on the set as an actor on Martin Scorsese’s Killers of the Flower Moon. There were guitars in his trailer and in his rented house and a lot of time to sit and think. The melancholy yet soaring track “King of Oklahoma” was written there. Isbell also watched the great director work, saw the relationship between a clear vision and its execution, and perhaps most important, saw how even someone as decorated as Scorsese sought out and used his co-workers’ opinions.

“It definitely helped when I got into the studio,” Isbell says. “I had this reinvigorated sense of collaboration. You can have an idea and you can execute it and not compromise -- and still listen to the other people in the room

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ABOUT Mariachi Vargas de Tecalitlán - Mexicano Desde La Raiz 

After a successful tour of Korea and Spain, the universally renowned and acclaimed “Best Mariachi in the World,” Mariachi Vargas De Tecalitlán, today announced their 2023 Mexicano Desde La Raíz World Tour. Produced by Live Nation and Viva Music Group, the 10-city tour kicks off on April 14th at the William Saroyan Theater in Fresno, CA making stops across the U.S. in Los Angeles, Phoenix, New York and more before wrapping up in Vancouver, BC, at the Orpheum on May 28th.

Mexicano Desde La Raíz Tour also supports and celebrates their latest single, "Mi Mejor Error,” which is available on digital platforms and on YouTube.

“We are excited to return to the United States, a country that has always welcomed us warmly throughout every show we’ve performed there. In addition, we can't wait to perform and share our new music with fans in the States,” said Carlos Martínez, director of Mariachi Vargas de Tecalitlán.

The Mexican folk ensemble of mariachi music founded in 1897 by Gaspar Vargas have since starred in more than 200 movies and recorded dozens of albums. Their musical style includes elements of various Spanish dances such as pasodobles, valse, bailables, polkas, and danzones. They have also collaborated with various artists including Juan Gabriel and Linda Ronstadt.

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Después de su exitosa gira por Asia y Europa el Mariachi Vargas de Tecalitlán, regresa a los escenarios con su nuevo gira mundial “Mexicano Desde La Raíz.” Esta prometedora gira llegará a Estados Unidos el 14 de febrero en Fresno, California para presentar su espectáculo en el William Saroyan Theater. 

Citi es la tarjeta de crédito oficial de la preventa de la gira Mexicano Desde La Raíz. Por ello, los tarjetahabientes de Citi podrán comprar sus boletos en preventa a las 10 am hora local el 31 de enero a través de Citi Entertainment®. Para más información sobre la preventa, visite www.citientertainment.com. Las entradas para el público general saldrán a la venta el 3 de febrero a las 10 am hora local en LiveNation.com.

“Estamos emocionados de regresar a Estados Unidos, nuestra segunda casa. Cada vez que venimos nuestra gente nos abraza, y llena de cariño, cantando con una pasión inigualable cada una de nuestras canciones “comentó Carlos Martínez director del Mariachi Vargas de Tecalitlán.

Aunado a su gira mundial, El Mariachi Vargas de Tecalitlán se encuentra promocionando su más reciente éxito “Mi Mejor Error” producción donde colaboró la actriz Kate del Castillo. Este sencillo ya cuenta con millones de reproducciones en las plataformas digitales.

Estamos gustosos de convocar a todos los medios de comunicación, a que nos acompañen a una conferencia de prensa en las instalaciones de Live Nation en Beverly Hills California, para darles los detalles de esta nueva gira mundial, para seguir sumando a estos 126 años de trayectoria.

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ABOUT AUSTRALIAN PINK FLOYD

Selling 4 million tickets worldwide and described by The Times as “The Gold Standard” and The Daily Mirror as “The Kings of the Genre”, The Australian Pink Floyd Show gave its first ever concert in Adelaide, Australia in 1988. Since then, they have performed in over 35 countries worldwide; played at David Gilmour’s 50th birthday celebration and were even joined on stage by Rick Wright. TAPFS is the leading and biggest show of its kind in the world.

Performing the music of Pink Floyd with note for note perfection, this critically acclaimed tribute show has been astonishing audiences worldwide. Striving to reproduce the Pink Floyd experience and bring the music to new audiences, the show continues to include a stunning light and laser show, video animations, state of the art high resolution LED screen technology and other special effects. To accompany these visuals are several large inflatables including a giant pig and their own distinct Pink Kangaroo.

They have also worked with musicians like Guy Pratt, Durga McBroom and her sister Lorelei McBroom who have toured with Pink Floyd, as well as sound engineer Colin Norfield who worked with Pink Floyd during their ‘Division Bell’ tour and on David Gilmour’s solo tours.

Often described as being more than a tribute band, The Australian Pink Floyd Show is the first Pink Floyd tribute show that took the concept out of the pubs and onto the worldwide arena circuit. The band has played to sell out audiences throughout Europe, UK, America, Canada, South America and Russia.

With 30 years of history, the world’s biggest, best and greatest Pink Floyd tribute show continues to delight its global fan base.

 “Setting the gold standard” – The Times

“For the record TAPFS are a phenomenon to be witnessed live… It’s almost enough to make you forget you haven’t been watching Pink Floyd, but a surrogate band” - Prog

“Probably the most popular tribute band in the world” - Sunday Times ‘Culture

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ABOUT CAROLINE POLACHEK

Desire, I Want To Turn Into You is Polachek’s first album release since her 2019 experimental pop masterpiece PANG which cemented her as a generational talent.   Working again with co-producer Danny L. Harle, Polachek pulls from her complete arsenal, layering and weaving familiar and unfamiliar sounds to make large-scale pop songs with specific human feelings. Desire, I Want To Turn Into You creates discrete vignettes about love, heartbreak, disappointment, proximity, distance, and lust and with all the care given to the architecture of the sounds. It’s a collection of big songs that hit immediately then stay with you and continue to echo and bloom. It’s a canvas with earth and water and blood-toned colors splashed against it. 

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ABOUT TENNIS

Tennis is Alaina Moore and Patrick Riley. The two met in the philosophy department at the University of Colorado in 2008 after dropping out of their respective music programs. In the years after graduating, they got involved in Denver’s DIY music scene. Through house shows, they were connected with Underwater Peoples, and Firetalk. Tennis’ first singles “South Carolina,” “Baltimore,” and “Marathon” were released in 2010. The band went blog-viral nearly overnight, landing them a record deal with Fat Possum.

Cape Dory, (2011 on Fat Possum), documents Moore and Riley’s time spent living aboard a small sailboat on the Atlantic coast. The album debuted at #1 on Billboard’s Heatseeker chart, transitioning Tennis from house shows to stages such as Lollapalooza. Tennis recorded their sophomore effort Young & Old (2012) with Patrick Carney of the Black Keys. They made their television debut on The Tonight Show, The Late Show, and Conan.

In 2014 they signed with Communion. The resulting release, Ritual in Repeat was the culmination of separate recording sessions with Richard Swift, Jim Eno and Patrick Carney. Moore and Riley were greatly influenced by Richard Swift’s approach to recording and engineering, prompting Riley’s decision to take over as engineer on their future releases. With shifting labels and new interests, Tennis chose an alternate path for their band and career. In 2016, Moore and Riley formed the label Mutually Detrimental and began self-releasing. Their newfound freedom allowed them to return to their sailboat to write their next full-length, this time in the Sea of Cortez. Yours Conditionally, released in 2017, became their most commercially successful album–charting at #4 on Billboard’s Independent list and in the top 100 highest selling vinyl releases that year. They played Coachella and opened for artists like The National, Father John Misty and The Shins–proving their DIY roots as a cornerstone to their sound and narrative.

Their follow up Swimmer (2020), was recorded in their home studio with Moore and Riley producing and engineering. The pair brought their long-time touring member Steve Voss in for the second time to drum on record. The singles, Need Your Love and Runner, were Tennis’ most successful releases to date. With nearly every show on tour sold-out (including two consecutive nights at Brooklyn Steel) the album’s campaign was cut short by the Covid-19 pandemic.

Pollen, Tennis’ sixth studio album is due on February 10, 2023 (Mutually Detrimental)

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